Orchestral Works

MYŌ – Konzert für Violine und Orchester in sieben Sätzen (2011-15)
commissioned by the Gewandhaus zu Leipzig
wp: 21./22.5.2015, Leipzig, Gewandhaus, Gewandhausorchester Sebastian Breuninger
duration: 30′
publisher: C. F. Peters Leipzig – London – New York

VEIL (I)
three movements for ensemble (version for orchestra)(2013/14)
wp: 13./14.02.2015, Cottbus, Cottbuser Philharmonie, Ruben Gazarian
duration: 11′

VEIL (II)
for orchestra (2013/14)
commissioned by Cottbuser Philharmonic
wp: 27.3.2015, Cottbus, Großes Theater, Cottbus Philharmonic, Evan Christ
duration: 11′
publisher: C. F. Peters Leipzig – London – New York

“镜子与圆圈” 琵琶大提琴双协奏曲
“Mirror and Circle”

for Pipa, Violoncello and Chinese Orchestra (2013)
作曲 贝恩德.法兰克 台湾国乐团委约 献给大师阎惠昌, 董亚, 以及台湾国乐团。 世界首演 二零一四年五月十八日 台湾国家大剧院 commissioned by the National Chinese Orchestra Taipei / Taiwan dedicated to Maestro Yan Hui Chang, Ya Dong and the NCO
wp: 18th of May 2014, Taipei, Taiwan’s National Grand Theater

PRAYA DUBIA (for Esbjörn Svensson)
for orchestra (2009-2011)
commission for the Bayerischer Rundfunk / musica viva
duration: 17`
wp: 27. Mai 2011, Munich, Herkulessaal, Musica Viva, Orchester des Bayerischen Rundfunks, Leitung: Lucas Vis
www.edition-peters.de

The way down is the way up (II)
for orchestra (2010)
commission for the Stuttgarter Philharmoniker
wp: 7.10.2010, Stuttgart, Liederhalle, Stuttgarter Philharmoniker, GMD Gabriel Feltz
duration: 21`
publisher: C. F. Peters www.edition-peters.de

Yellow clouds for string orchestra (2009)
wp: 21.8.2009, Berlin, Konzerthaus, Junge Deutsche Streicherphilharmonie, conductor: Michael Sanderlingduration: ca.11`
Verlag C. F. Peters Frankfurt | Introduction (in German) | Score

CUT (IX-XI)
for orchestra (2008/2009)
CUT IX (for R. S.) for Orchestra
CUT X (for J. B.) for Violoncello solo
CUT XI (for C. S.) for Orchestra
commissioned by TONHALLE DÜSSELDORF zum Schumann-Jahr 2010
wp: 15.1.2010, Tonhalle Düsseldorf, Düsseldorfer Symphoniker
GMD Andrey Boreyko Mitschnitt DeutschlandRadio
duration: simultaneous version 27`, individual performance CUT IX 17` CUT X 6’30 CUT XI 13`
C. F. Peters Frankfurt

On The Square
for orchestra (2006/07)
wp: 14.05.07, Mannheim/Rosengarten, Orchester des Nationaltheaters Mannheim, Akademiekonzert
conductor: Axel Kober
duration: ca. 21’
Edition Peters | Audio | Introduction (in German)

CUT VI – VIII
for orchestra (2005/06)
wp: 25.06.2007 (simultaneous version), Gewandhaus zu Leipzig, Gewandhausorchester
conductor: Riccardo Chailly
duration: ca. 24’
Edition Peters | Introduction (in German) | Score | Score (CUT VIII)

Double Life
for oboe, flute and orchestra (2003/04)
Simultaneous version of
CUT IV for flute and ensemble (for Joanna Pousette-Dart)
und CUT V for oboe and ensemble (for Philip Roth)
comissioned by the Staatstheater Darmstadt
duration: simultaneous version ca. 20′
single performances of CUT IV or CUT V ca. 17′
other versions ad lib.

CUT IV for flute and ensemble:
solo flute (also picc. and bass flute); 2 flutes (both also picc.).1 oboe (also d`amore). 2 clarinets in B (2nd also E flat). 2 bassoons. 1 trumpet in C. harp. celesta. 3 violins (soli). 3 violoncellos (soli). 1 double bass (solo)
Besetzung CUT V for oboe and ensemble
Solo oboe (also oboe d’amore). 1 flute (also alto flute). 2 oboes( 2nd also cor anglais).1 bass clarinet. 1 double bassoon. 2 horns in F. 1 trombone
percussion(3 players) (glockenspiel, crotales, vibraphone, xylophone, marimbaphone, 2 small drums, tenor drum, cran cassa, whip, anvil, piece of wood, piece of metal). 1 viola (solo). 3 violoncellos (soli). 3 double basses (soli)
Edition Peters | Introduction

BlueGreen
for saxophone quartet and orchestra (2004)
duration: ca. 18`
comissioned by the Philharmonisches Orchesters der Landeshauptstadt Kiel
wp: 26./27.9.2004, Kiel, Philharmonisches Orchester der Landeshauptstadt Kiel, conductor: Georg Fritzsch
Edition Peters | Introduction

For Shalom Ash – five pieces for orchestra
(suite out of the opera “Mottke der Dieb”) (1995-98/2002) / 12’
1 (doubling Picc & Afl).1.1 (doubling Es-Clar).bassclar.S-sax (doubling T-Sax).1 – 1.1 (doubling Fluegelhorn).1.1 – Timp (doubling Whip)-Perc (4) – 2Pf (1. doubling Synth) – Hrp – Electric Guit, Bass Guit – 4.4.3.3.1 (min) – Tape (CD)
wp: 21.1.2003, Leipzig, Gewandhaus, MDR-Sinfonieorchester, Rolf Gupta (cond.)
Breitkopf & Härtel | Audio | Introduction

open doors for bandoneon and orchestra (2002) / 14′
1(doubling Picc).1.1(doubling Es-Clar).1 – 1.1.flghr.1.1 – Hp – Pf – Timp – Perc(3) – 4.4.3.3.1 (min) – Tape (CD)
wp: 21.1.2003, Leipzig, Gewandhaus, MDR-Sinfonieorchester, Per Arne Glorvigen (Bandoneon), Rolf Gupta (cond.)
Edition Peters | Introduction

Raschèr fanfare for saxophon orchestra (2002)
2 S-Sax.4 A-Sax.2 T-Sax.2 Bar-Sax.2 Bass-Sax.
wp: 1.2.2003, Kaustinen Musik Festival, Finnland, Raschèr Saxophon Orchester,
Bruce Weinberger (Dirig.)
Edition Peters | Audio | Introduction

Three Marches for C. I. (2002) / 15′ (part I: 6′)
for orchestra
Solo Trp, Solo Bsn – Picc.2.2.Ca.3.3 – 4.3.3.1 – Perc(8)
wp (part I): 21.6.2002, Pittsburgh (USA), American Wind Symphony Orchestra, Robert Boudreau
wp (part II): June 2003, Pittsburgh (USA)

Edition Peters | Introduction

Zerbrochene Nähe (2000) / 14′
scene for baritone and orchestra
2.2.2.2 – 1.2.1.1 – timp – perc(2) – hp. – 2 piano – str.
after Giorgio Caproni, Selma Meerbaum-Eisinger and the „Song of Songs“ (Salomo)
wp: 8.9.2000, Hanover, EXPO 2000, Neue Elbland-Philharmonie, Yaron Windmüller (Bar), Peter Fanger (cond)
Edition Peters | Introduction

Music for Trumpet, Harp, Violin and Orchestra
(in memory of Leonard Bernstein)
(1990 -1993) / 25′
Soli: Trp, Hp, Vl – 3.3.3.3. – 4.3.3.1. – Timp – 4Perc – Str
wp: 6.6.1995, Leipzig, Gewandhaus, Gewandhausorchester, Kurt Masur
Breitkopf & Härtel | Audio | Introduction

Chagall-Musik für Orchester (1985-86 / 27′)
3.3.3.3. – 4.4.3.1. -Timp – 3Perc – Hp –Str
wp: 10.3.1988, Leipzig, Gewandhaus, Gewandhausorchester, Kurt Masur
Breitkopf & Härtel | Audio | Introduction

Drei Orchesterstücke (1980-83) / 16′
3.3.3.3. – 4.3.3.1. – Timp – 3Perc – Hp – Str
wp: 6.10.1984, Leipzig, Gewandhausorchester, Kurt Masur
Breitkopf & Härtel | Introduction | drei_o_stuecke